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    Home»Billboard»j-hope on Tour, ‘Sweet Dreams’, ‘Mona Lisa’, BTS & His Cultural Impact
    Billboard

    j-hope on Tour, ‘Sweet Dreams’, ‘Mona Lisa’, BTS & His Cultural Impact

    Producer GangBy Producer Gangmaio 20, 2025Nenhum comentário5 Mins Read
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    j-hope on Tour, 'Sweet Dreams', 'Mona Lisa', BTS & His Cultural Impact
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    Best known as a dancer, rapper and singer-songwriter in BTS, j-hope has long stood out, with a magnetic stage presence and captivating dance moves that helped propel the group to global stardom. Now — as ARMY around the world anticipate the group’s remaining members completing South Korea’s mandatory military service and BTS reuniting in June, with group activities on hold until 2026 — the charismatic 31-year-old is distinguishing himself further, carving out a bold solo identity that showcases a versatility and creative range that extend far beyond his BTS persona.

    Following his 2022 debut solo album, Jack in the Box, which peaked at No. 6 on the Billboard 200, and his 2024 Hope on the Street, Vol. 1 EP that rose to No. 5 on the chart, j-hope has already released collaborations this year with stars including Miguel, Don Toliver and Pharrell Williams. And with his Hope on the Stage World Tour, which kicked off Feb. 28 in Seoul, j-hope is reaching new heights: His show at Los Angeles’ BMO Stadium made him the first South Korean male solo artist to headline a U.S. stadium. (His bandmate Jin will hit the road this summer.) The tour — which will wrap June 1 after visiting 15 markets across North America and Asia, including a May 31 show in Osaka, Japan, that will be broadcast live to cinemas around the world — has mirrored his own artistic growth as he prepares for the next stage of his solo journey with his upcoming album. J-hope sat down with Billboard Korea in Los Angeles for an exclusive chat about his music, touring and inspirations.

    Louis Vuitton shirt, jacket, and pants; Audemars Piguet watch.

    Julian Dakdouk

    What does it mean to you to be on the cover of Billboard as a solo artist?

    Growing up, Billboard seemed like a completely different universe to me. I’d follow the charts to see where my favorite artists landed, and that’s how I got a sense of the era’s musical flow and what sounds were defining each moment. So having my own music recognized by Billboard still feels surreal and exciting. To me, Billboard remains a dreamlike presence, and the amazing thing is, that dream is still unfolding, much like my song, “Sweet Dreams.”

    You’re widely regarded as a symbol of hope — not only for your fans, but also for many Asian artists globally. How does it feel to have that kind of impact?

    Just as I drew inspiration from the artists I admired growing up, shaping my own music through their influence, I’d be honored if my work could inspire others and pass on that same positive energy — that would mean the world to me. Above all, I hope to continue growing into an artist who brings light and encouragement to others wherever I go.

    J-hope photographed April 7, 2025 in Los Angeles.

    Louis Vuitton jacket and pants, Audemars Piguet watch.

    Julian Dakdouk

    Is there a particular message you want to convey with this tour?

    Embracing my identity as j-hope, I found myself reflecting more deeply on the true essence of hope. I realized it’s not something to be taken lightly, so I wanted to channel that sincerity into my music and bring it to life through Hope on the Stage, sharing it with as many people as possible. I was hands-on with everything — stage design, choreography, fashion and even the props — pouring my heart into every aspect. I hope the audience left with a sense of genuine positivity and inspiration. Moving forward, I want to keep creating authentic performances that unite everyone through the power of music.

    You made history in April as the first South Korean male solo artist to headline a U.S. stadium. How did that feel?

    Having performed at countless stadiums with BTS, I was always part of a seven-member team filling the stage. This time, I was on my own, and honestly, I wondered if I could handle that immense energy and pressure by myself. But I pulled it off and that means a lot to me — it’s a milestone I’ll always cherish.

    J-hope photographed April 7, 2025 in Los Angeles.

    Louis Vuitton shirt, jacket, pants and shoes; Audemars Piguet watch.

    Julian Dakdouk

    You’re often hailed as a fashion icon. What ignited your love of style?

    Ever since I was young, I’ve had a genuine passion for clothes. I don’t really see myself as a fashionista — I just have a deep, genuine love for fashion. To me, clothing is a powerful way to express my identity. Even during BTS world tours, I’d make time to visit local boutiques and explore different styles, which really helped shape my personal aesthetic over time. For my solo world tour, I handpicked every outfit for each performance, ensuring every look was distinct. I believe my approach to fashion adds a fun, dynamic element for fans to enjoy while watching my shows.

    Your recent single, “Mona Lisa,” debuted at No. 65 on the Billboard Hot 100 and was released in March two weeks after your Miguel collaboration, “Sweet Dreams.” What’s the story behind these tracks?

    I believe my music should evolve as I grow. Before my enlistment, I leaned into my roots in dance, experimenting with a variety of sounds to express different facets of myself. But just a week after my discharge, I headed straight to the U.S. because I wanted to explore how the American producers I admire would interpret my sound. “Sweet Dreams” featuring Miguel — an artist I’ve long respected — has a smooth, soulful vibe that feels deeply personal. On the other hand, “Mona Lisa” brings a hip-hop-driven performance energy. Both tracks are easy to connect with, yet they offer a glimpse into the broader, more evolved musical world I’m building. This is just the start — I have plenty more musical experiments in store.

    j-hope Billboard Cover May 17, 2025

    This story appears in the May 17, 2025, issue of Billboard.



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