Learn the recipe for larger-than-life tone.
In the second installment of his UAD Spotlight rock mixing masterclass, join Universal Audio’s Drew Mazurek as he gives you a step-by-step overview of his guitar processing chain. With credits ranging from Foo Fighters to Jimmy Eat World, this is one from Drew you don’t want to miss.
Tape Saturation
The sound of analog tape is at the heart of every classic recording. Drew opts to recreate it directly in LUNA, reaching for the Studer A800 extension. With the Ampex 456 tape model running at 15 IPS, it introduces subtle tape saturation and distinct harmonics to the guitar tracks.
Classic Tone Shaping
Next in the chain is the Neve 1073. Here, Drew uses this single classic preamp emulation for both additional saturation and EQ. By pushing the input gain 10 dB and pulling the output fader down to compensate, Drew adds additional preamp coloration to the guitars. In addition, he employs the high-pass filter to carve out unnecessary low end.
Big, Broad EQ Moves
After that comes the Pultec EQP-1A. Known for its tube warmth and sweeping EQ curves, Drew uses the well known “Pultec trick” by simultaneously boosting and cutting the low end to add weight. He also aggressively cuts unnecessary high end, while also boosting the upper midrange for extra bite and aggression.
Controlled Push
While its true distorted electric guitars are already heavily compressed, the final plug-in of Drew’s guitar processing chain is the versatile EL8 Distressor. Using it for both its tonal character and subtle compression, this last unit adds the control and glue needed to take these guitars to the next level.
Room & Depth
For the final piece of the puzzle, Drew gives two options to add space to the guitars in this track. First up, he uses Ocean Way Studios to give depth and realism in a subtle and natural fashion. If a more modern option is what you’re after, he also showcases the AMS RMX16 for additional width with more character.
— UA Staff
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